![]() The show debuted in June to some of the best TV reviews of 2020. ![]() This is crazy.”Ĭoel eventually pitched “I May Destroy You” to the BBC in the fall of 2017 and the network offered her everything she wanted, from “a seat at the table on the production side” to “full creative control and the rights to the work.” HBO would join BBC as a co-producer of the project. “And then she said those words to me, and I finally realized - I’m not crazy. “I remember thinking, I’ve been going down rabbit holes in my head, like people thinking I’m paranoid, I’m acting sketchy, I’m killing off all my agents,” Coel said. When Coel bargained down and asked to own just 0.5 percent of the copyright, the Netflix executive said she would have to run it up the chain while adding, “Michaela? I just want you to know I’m really proud of you. Nobody does that, it’s not a big deal.’ I said, ‘If it’s not a big deal, then I’d really like to have 5 percent of my rights.’ ” And she said, ‘It’s not how we do things here. Oscars 2023: Best Adapted Screenplay PredictionsĬoel told Vulture that she tried negotiating with “a senior-level development executive at Netflix” in order to retain “at least 5 percent of the copyright.” According to Coel, “There was just silence on the phone. 'Queen Charlotte: A Bridgerton Story' Teaser: Shonda Rhimes Peels Back a Controversial Royal Romance 'You' Season 4 Part 2 Trailer: Joe Makes a Dangerous Friend The creator even ended her relationship with CAA after it “tried to push her to take the deal” with Netflix since CAA “would be making an undisclosed amount on the back end.” ![]() Coel turned Netflix’s $1 million offer down because they wouldn’t allow her to retain any percentage of the copyright. The series is based on Coel’s personal experience of being sexually assaulted during the making of “Chewing Gum.” Coel, who wrote all 12 episodes of the series and co-directed nine, stars as a young writer struggling to come to terms and process a recent assault. In a new profile published by Vulture, Coel reveals that Netflix made her an offer for “I May Destroy You” in spring 2017 worth $1 million. Coel’s history with Netflix made the streamer a natural destination for her latest project, “ I May Destroy You,” but the creator walked away from a mega-deal in order to maintain ownership of the series. The streamer was the domestic distributor of her acclaimed comedy series “Chewing Gum,” for which Coel won a BAFTA for Best Female Performance in a Comedy Program, and she later appeared in an Emmy-winning episode of “Black Mirror” and fronted the 2018 Netflix musical film “Been So Long.” Netflix also released the Coel-starring drama series “Black Earth Rising” outside the United Kingdom in 2019. ![]() Michaela Coel’s breakout success in the U.S. ![]()
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